Free Download John Cage (October Files)
Free Download John Cage (October Files)
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John Cage (October Files)
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About the Author
Julia Robinson is Assistant Professor in the Department of Art History at New York University. She was the curator of the exhibition "John Cage & Experimental Art: The Anarchy of Silence" and editor of the accompanying catalog. She is also the editor of New Realisms: 1957–1962: Object Strategies Between Readymade and Spectacle (Museo Reina SofÃa/MIT Press, 2010) and was the curator of the exhibition it accompanied.
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Product details
Series: October Files (Book 12)
Paperback: 232 pages
Publisher: The MIT Press (August 12, 2011)
Language: English
ISBN-10: 0262516306
ISBN-13: 978-0262516303
Product Dimensions:
6 x 0.4 x 9 inches
Shipping Weight: 15.5 ounces (View shipping rates and policies)
Average Customer Review:
3.8 out of 5 stars
7 customer reviews
Amazon Best Sellers Rank:
#480,897 in Books (See Top 100 in Books)
John Cage is best known for his music, but his writings were also very important. He wrote theoretical articles and lectures, as well as a great deal of poetry, and a variety of uncategorizable works. One little-known written work of his was his Diary: How to Improve the World (You Will Only Make Matters Worse), written between 1965 and 1982.This wasn’t a standard journal or diary, of course, as its tittle suggests. In it, Cage wrote about the world around him, and how things could be improved. He wrote about technology, art, and humanity. He often cites such thinkers as Buckminster Fuller and Marshal McCluhan, as well as some of his composer and artist friends and acquaintances, and authors like Thoreau, Joyce, and Wittgenstein.The text is often fascinating, and is full of aphorisms that one can appreciate. Here are a few:We learn nothing from the things we know.We have only one mind (the one we share). Changing things radically, therefore, is simple. You just change that one mind.Having everything we need, we’ll nevertheless spend restless nights awake with desire for pleasures we imagine that never take place.Distractions? Interruptions? Welcome them. They give you the chance to know whether you’re disciplined. That way you needn’t bother about sitting cross-legged in the lotus position.Information is what happens to us. That is, future happens before we experience it.In keeping with Cage’s odd methods of composition, he wrote the diary using chance operations. As the publisher’s website says:"Originally typed on an IBM Selectric, Cage used chance operations to determine not only the word count and the application of various typefaces but also the number of letters per line, the patterns of indentation, and — in the case of Part Three published as a Great Bear Pamphlet by Something Else Press — color. The unusual visual variances on the page become almost musical as language takes on a physical and aural presence."Parts of the diary were published in the past, in various collections or editions, but this is the first time the entire diary is published in one book. In addition, following the way Cage created one publication using different colored fonts, the publishers have used chance operations to determine which colors and typefaces should be used for each part of the text.As you may expect, this is not a book for everyone. If you appreciate John Cage, you’ll find this a visually stunning approach to one of his lesser-known texts.And, if you wish to hear him read his diary, you can listen to a five-hour recording he made in 1991, which makes liberal use of stereo effects (his voice sometimes on one channel, sometimes the other, and sometimes both). Go to the UbuWeb website and search for John Cage.
For my neighbor's grandson. He loved it.
you can dip in anywhere and you're bound to find interesting observations about a multitude of things.
Cage is a great favorite of mine and an influence on my thinking about art and life. Reading this diary (much of which I have seen before in other of his publications) is a real treat, and I find myself quoting pieces of it on my Facebook page quite often.
Well please with "John Cage" (1962) received. Fast delivery and book condition was exactly as described (and for a great price). Arcana: Books on the Arts rocks!!! :-)
This publication is an act of intellectual fraud - against me.At my request, MIT Press has promised to publish the following in the acknowledgments section of any future editions of this book:"The texts by Metzger and Boehmer appeared in 1997 in OCTOBER 82 the context of `Reconsidering John Cage Part Two,' a project dealing with the German reception of Cage assembled by Ian Pepper and consisting of his introductory text `From the Aesthetics of Indifference to Negative Aesthetics: John Cage and Germany, 1958-1972,' the two texts republished here, and a 1972 interview with John Cage conducted and with commentary by Hans G Helms."Until my publication in OCTOBER, the German reception of Cage was essentially terra incognita in the English-speaking world.While the pieces in this volume are essentially Cage hagiography, my article still has some critical bite.Although my project was greeted with considerable enthusiasm by the senior editors of OCTOBER at the time, mine is the ONLY article on Cage to have appeared in OCTOBER that was excluded from this anthology.Fortunately, it is still available from JSTOR, in research libraries, etc.While the new volume mentions my name in passing as the translator of 2 texts, it gives no context for their original appearance in OCTOBER in 1997:I selected them from a mountain of German Cage literature, and then traveled around Europe to meet and interview my authors - along with Pierre Boulez, who was kind enough to give me a private interview while he was rehearsing at the Berlin Philharmonic - he had some very interesting things to say about Cage as well.It was dishonest of the editors of this publication to have masked these circumstances.It is also symptomatic that this publication neglects to mention that Heinz-Klaus Metzger (a major figure in German musical life & one of the authors I translated) died 2 years before this publication.My piece was excluded from this volume as punishment - as part of my excommunication from the exalted circle of OCTOBER "intellectuals"Their bile led to a comproised and dishonest publication.Nonetheless, their hatred is a source of delight for me - and a badge of prestige.
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